(Updated April 2016)

1. Hotel Saint-James

Two metro stops west of Etoile, the site of the glamorous 4-star Saint James was once far enough away from the central Paris to serve as a launch pad for hot air balloons. While tall buildings have sprouted in the area, the lush private garden of this luxuriant refuge, accented with fanciful balloon canopies (photo above), remains intact and serves as an open-air bar during the fine-weather months. Like its classy library bar and Michelin-starred restaurant, the open-air bar is reserved for hotel guests and club members during the day, but all of them are accessible to visitors after 7pm.

Hotel Saint James, 43 avenue Bugeaud. 16th arr. Tel: 01 44 05 81 81. Metro: Porte Dauphine.

2. Regent’s Garden Hotel

Napoleon III liked his private physician so much that he built him a delightful townhouse with an enclosed garden on the western edge of Paris just beyond the Arc de Triomphe. This year the 4-star hotel has made its private garden an even greater draw with an outdoor exhibition of bronze and ceramic sculptures by Mickie Doussy on view through September 30. Beyond breakfast, when open only to guests, the garden bar/tea salon is open to visitors on reservation.

Regent’s Garden Hotel, 6 rue Pierre Demours. 17th arr. Tel: 01 45 74 07 30. Metro: Ternes.

3. Villa du Square

Tucked between Le Corbusier townhouses in the residential 16th, the Villa du Square (open since September 2015) is a B&B offering five luxurious bedrooms in a 1920s mansion lovingly decorated by art collector hosts Marie-Victoire and François-Christophe Gicqueau. The garden—200 square meters of urban Eden shaded by centenary pines—has enough secluded ‘corners’ that guests won’t trip over each other while they smell the roses.

Villa du Square, 26 rue Raffet, 16th arr. Tel: 01 71 72 91 33 Metro: Jasmin. The garden is only open to overnight guests.

4. Hotel des Marronniers

The secluded garden behind this 3-star Left Bank hotel is open to the public from 2pm until 11pm for tea or drinks.

Hotel des Marronniers, 21 rue Jacob. 6th arr. Tel: 01 43 25 30 60. Metro: Mabillon.

5. Villa Montabord

The Cité des Fleurs, a one-block pedestrian street in the Epinettes district on the northwest edge of the capital, is one of Paris’s original gated communities. The guidelines laid down by the developers in 1847 mandating at least three flowering and/or fruit trees for every garden are still observed. Thus, the four-room bed-and-breakfast that Isabelle and Jérôme Sciard opened in their 19th-century home has a pocket-sized private garden within a garden community. Expect fluent English (Jérôme is a former submarine commander who was stationed in Newport, RI for a year) plus large, luxurious bathrooms, WiFi and television.

Villa Montabord, 3 Cité des Fleurs, 17th arr. Tel: 06 14 88 74 06. Metro: Brochant. The garden is only open to overnight guests.

6. Hotel Eldorado

This hipster enclave in rapidly gentrifying Batignolles is one of the last places in Paris where budget-minded visitors can get a double-digit priced room with facilities “down the hall,” in a decor that mixes fake leopard skin throws and real cat-hair from resident felines. The hotel may have two stars but its popular Bistrot des Dames restaurant/wine bar, nestled in a pleasant but not-overly-groomed garden, goes by its own standards and is open to the public.

Hotel Eldorado, 18 rue des Dames, 17th arr. Tel: 01 45 22 35 21. Metro: Place de Clichy.

7. Novotel Paris Les Halles

With a giant, custard-colored canopy hovering over the Châtelet shopping center, catching ”a patch of blue” in Les Halles is as rare as it was for Oscar Wilde at Redding Gaol. Given the forbidding façade  of the Novotel Les Halles, it’s a triple-fine surprise to find a delightful, tree-shaded garden terrace-bar nestled within its walls. An oasis of calm in a chaotic neighborhood.

Novotel Paris Les Halles, 8 Place Marguérite de Navarre, 1st arr. Tel: 01 42 21 31 31 Metro: Châtelet.

© 2015-2016, Corinne LaBalme

Updated April 2016

The post Paris Hotels: 7 Secret Garden Bars appeared first on France Revisited - Life in Paris, Travel in France.

* * *

It’s a smooth evening in the lounge-bar at the Hotel Lutetia. Daniel Roca, in-house pianist and musical programmer, wends his way through jazz standards at the center of a well-oiled trio. Head bartender Gilles Guyomarch supplies a harmony of cocktails, swaying lyrical conversation from the crowd.

I’ve given Mr. Guyomarch carte blanche to prepare me something not too sweet. He keeps the first one classic Lutetia with a cocktail called Le Lutèce: Grand Marnier, Havana rum, raspberry juice and lime juice.

I clink glasses with Christine and Paul Wegmann who are visiting from New Orleans. Christine is a writer who’s also a lawyer; Paul is a lawyer who’s also a writer. When not litigating, she writes about celebrities, he writes about sports.

At 7:30 pm, the lounge at the Lutetia can feel a bit too much like the first-class lounge at a sleek airport. Most large hotel bars give that impression at this time of day. The music helps sooth that. The cocktail helps us sink into the furniture and become a part of the atmosphere. It’s a long, classy, stylish room. Before long we aren’t in a waiting room but exactly where we should be. Dinner can wait. More olives, please.

Peggy Newland, another visiting American, joins us. She’s in town to do research for an article about jazz in the Saint Germain Quarter, a welcome break from her work as an adolescent psychologist. Her daughter is upstairs in the room.

The Wegmanns soon leave for dinner. Peggy and I, satisfied with an appetizer of olives and nuts, stay for a second cocktail. Again, I give Mr. Guyomarch carte blanche and this time his envoy returned with a Hemingway Special: dark Caribbean rum, tonic, lemon juice and sugar.

Peggy and I discuss journalism and writing, pretending that we’re here for work. When the jazz trio takes a break and leaves the room silent we realize that indeed we are. We finish our second drink and separate for our respective interviews: I go to interview the bartender, she goes to interview the pianist.

Gilles Guyomarch, originally from the distant island of Ouessenant off the coast of Brittany, is one of the most faithful bartenders in Paris to judge by his longevity at the Lutetia. With 25 years of experience here, Mr. Guyomarch has seen two generations of patrons and assorted fads and trends come and go.

In recent years, he says, the tendency has been to more champagne, to wine by the glass rather than the bottle, to lighter drinks and, more regrettably, to a clientele that doesn’t bother to dress up to swirl a drink in the lounge. Such changes are part of the natural evolution of drinking since the 1980s. It’s the bartender’s job to adapt.

What’s disheartening, he continues, is that clients sitting alone at his bar are no longer interested in conversing with the bartender or even with each other. He indicates with his chin a man having a heart-to-heart with his handheld. “People want to live to the rhythm of Google… they have no patience for conversation.”

Mr. Guyomarch does have such patience. Between cocktail preparations he speaks with the calm, discreet confidence of the best hotel bartenders.

Peggy joins me back at the bar. The pianist, the double bassist and the drummer have settled back into position for another set.

Peggy and I give Mr. Guyomarch our own confidence: we’ll stay for a third cocktail.

I watch as Mr. Guyomarch improvises: vodka, Blue Cuacao, orange juice and apple liqueur for Peggy; gin, strawberry liqueur and peach liqueur for me.

I ask what these drinks are called. “It’s more difficult to find names than recipes,” he says. “We’re like musicians. I found the recipe, you’ll find the name.”

So Peggy and I take up the challenge. We allow our drinks be transported on a silver tray into the lounge.

The bar, crowded when I arrived at 7:30, had emptied out by 8:45 as dinner reservations beckoned, and now, already 10 o’clock, people are trickling back in.

Peggy’s daughter comes to sit with us for a while. We tell her that we’re trying to find a name for our drinks. While unknotting her shoelaces the color of Curacao blue, she nonchalantly suggests Buster Blue as the name of Peggy’s drink. We unanimously agree.

But we’re stuck on the name of my drink.

Peggy’s daughter has again been invited to disappear. Peggy and I head back to the bar. Daniel Roca, the pianist, having finished another set is now hanging out near the end of the counter. We ask for his help and he gives a stab at naming my drink “Apollonia.” Mr. Guyomarch rejects that off-hand as though for personal reasons. We don’t ask why.

Finally Mr. Guyomarch resolves the issue by declaring that mine would henceforth and forever be called “Gary’s Cocktail.”

I’m flattered. I now have a drink named after me at the bar of the historic Lutetia.

I’ve no illusions, of course; at other times, no doubt, the same drink has been or will be called Fred’s Cocktail or Janet’s Cocktail or Helmut’s or Achmed’s. But for an evening it’s mine. Here I am with a bright and beautiful woman whose daughter with Curacao blue shoelaces doesn’t mind being sent to her room; live jazz standards have been gliding in and out of the conversation; the bartender has named a drink after me; the pianist gives me a nod to let me know that I’ve come to the right place. The bar is mine. The music is mine. Paris is mine.

Three cocktails at Le Bar of the Lutetia will do that to you.

© 2012, Gary Lee Kraut

Hotel Lutetia. 45 boulevard Raspail, 6th arrondissement. Tel. 01 49 54 46 46. Metro Sèvres-Babylone. Cigarette and cigar room by the bar.

A review of the Hotel Lutetia on France Revisited can be found here.

The post “Gary’s Cocktail” at the Bar of the Hotel Lutetia, Paris appeared first on France Revisited - Life in Paris, Travel in France.

* * *

The discreet entrance to the Hotel Fouquet’s Barriere on avenue George V, just off the Champs-Elysées, is a cross between that of an Italian pensione where you don’t know how to find the reception and an illustration by Dr. Seuss with its long couches and playful curves and colors.

The bar, Le Lucien, which is what I’d especially come to visit, was one twisting flight up.

The lounging area of Le Lucien is given rhythm by gold columns that play against violet and green velvet chairs and couches. One wall is occupied by brightly backlit empty shelves as though the background for a Kindle commercial. Warm weather opens the inner courtyard, where the busyness of the Champs-Elysées is but a silent memory.

That’s where I met head bartender Stéphane Ginouves, who in 2011 won the first Meilleur Ouvrier de France (MOF, Best Craftsman in France) competition for bartenders.

One reason I wanted to meet Mr. Ginouves was that I’d read in the press release that he was once in charge of the bar at the non-commissioned officers’ mess and that among his achievements prior to the MOF title was winning the “Shaker Challenge” at Disneyland Paris, where he worked at the Steak House. The resumes of most bartenders in luxury bars tend to emphasize that they’ve been mixing for the rich and powerful or the young and chic rather than for non-coms and people willing to get their picture taken with Goofy.

Having myself attended the New Jersey School of Bartending before a brief career behind a bar for wannabe mafiosi in Milwaukee, I appreciated the lack of glitter of his early career. Mr. Ginouves, born in 1974, nevertheless went on to earn himself in 2003 the title of Champion of France for Cocktail Creation and Technical Champion at the World Cocktail Competition . I went onto a career in mixing words with a few if less prestigious titles of my own. He has worked at Fouquet’s Barriere since 2008.

The other reason that I wanted to meet Mr. Ginouves was that with any luck I would get a free drink out of the interview. But what to choose?

As far as cocktails go, Mr. Ginouves professes a preference for classic rum-based cocktails while also having several non-rum creations to his name, including one consisting of vodka, guava juice, candy strawberry syrup and poppy flavoring. That’s certainly not something I would order, so after a bit of discussion I settled on another his creations called Single S, a kind of champagne julep meets whiskey sour.

I chose it because several months earlier I had been introduced to Single de Samalens, an armagnac-cum-whiskey of sorts (tasting notes further down this page) and because they primarily taught us Madmen drinks at the New Jersey School of Bartending while the wannabe wise guys in Milwaukee only ordered drinks that evoked people they dreamt of doing business with (white and black Russians, Irish coffee, Scotch and soda, Manhattans).

Stéphane Ginouves’ Single S
3 cl of strawberry puree in which fresh mint has been crushed (strained)
3 cl of Single de Samalens (8 years)
2 cl of amaretto
7 cl of champagne
Decoration: mint and a strawberry

Rooms at Fouquet’s Barriere

Unlike most other five-star hotels in Paris, Fouquet’s Barriere is part of a French group, which partially explains why it rings few bells for American travelers. Furthermore, despite the prestige of their Paris address, Groupe Barriere is better known for its hotels (and spas and casinos) in Deauville and La Baule, where its brand of luxury dominates, or for its properties in Cannes. (France Revisited review of Deauville properties are found here.)

Though its entrance doesn’t signal this hotel to be as high fashion and crème de la crème as some of the other hotels in its category, it is indeed in the same league as the others. In the 81 rooms and 31 suites, decorator Jacques Garcia has reigned in his Seussian tendencies in favor of a hearty luxury in tones of chocolate, gold and leather in the suites, creating plush 1950s revisited. The wifi is free, as it always should be these days, and, pleasant surprise, so is the mini-bar.

Hotel Fouquet’s Barrière and Bar Le Lucien. 46 avenue George V, 8th arrondissement. Tel. 01 40 69 60 00. Metro George V. Room rack rates begin at about 640€ for a standard room. Member of the association The Leading Hotels of the World.

Single de Samalens, my cocktail back-story

I first encountered Single de Samalens in 2011 at a well-oiled wine and spirits trade fair in Paris. It’s produced in the Bas-Armagnac zone of the Gascony region of southwest France. It’s not Armagnac brandy but rather an attempt by a large Armagnac producer to find additional use for its grapes and its stills.

Single was launched in 2010 and is marketed as a would-be whiskey-like spirit though made from grapes. The brand name points to the use of a single grape varietal, the ugni blanc (white), which is one of four main varietals that can go into Armagnac, and underscores the attempt to position this as an alternative to single malt whiskeys.

I brought home some of their test-tube tasters and invited a whiskey-drinking buddy over to try them. We tried the three available Singles, aged 8, 12 and 15 years:

Aged 8 years: 80% double distillation*, 20% continuous distillation. While I wouldn’t otherwise associate this with whiskey because it’s clearly grape-based, lightly floral and fruity, it can evoke certain adolescent whiskeys. It’s no competition for an average single malt, especially by itself, but it’s affable enough with ice or better yet in a cocktail, such as Stéphane Ginouves’s above. Of the three tried here, this was my co-testers preferred because he enjoyed its comparison with whiskey.

Aged 12 years: 50% double distillation, 50% continuous distillation. Clearly more of a brandy (i.e. Armagnac) than the 8-year Single and even edging toward a port with tastes of fig and plum, I found it pleasantly complex and with adequately long finish and so preferred this over the others.

Aged 15 years: 50% double distillation, 50% continuous distillation. The additional three years hasn’t added anything other than wood, while taking away some of the dried fruit. We both found it a bit leathery.

I suspect that these were early batches, which would explain the lack of appeal of the oldest product, so it might be worthwhile to revisit the subject in a few years.  For the time being it’s an entertaining concept spirit that I wouldn’t run out to buy but that I enjoyed discovering.

* Note: By contrast with the process used for this product, Armagnac is produced though a single continuous distillation process of any of four main grape varietals including the ugni blanc grape used here. Cognac is produced through a double distillation process of any of three main grape varietals, also including ugni blanc. Armagnac and cognac are both brandies but result from other differences including soil, weather, grapes, and types of oak in which they are aged.

** Samalens is a producer of Armagnac (specifically, Bas-Armagnac) that has belonged to the Samalens family since 1882. It is based in Laujuzan, 100 miles south of Bordeaux in the department of Gers.

© 2012, Gary Lee Kraut

The post Hotel Fouquet’s Barriere in Paris: A Drink at the Bar Le Lucien appeared first on France Revisited - Life in Paris, Travel in France.

Location
The choice of a long-ignored block of Paris’s 16th arrondissement for the Shangri-La Hotel was considered questionable well before the 5-star establishment opened in December 2010. Respectably askew from the glitter of the city’s Golden Triangle, this part of Avenue Iéna is considered by some to be a kind of no-man’s land bordered by lesser known museums. But it is indeed a worthy location.

True, there are no LVMH storefronts across the street— instead, there’s the breathtaking permanent collection of Asian art at the Guimet Museum nearby. And there are no colorful Paris macaroons in bakery shop windows in the neighborhood—instead, on Wednesday and Saturday mornings one of the capital’s most appealing outdoor produce and flower market unfurls around the corner on Avenue du Président Wilson.

I would understand better if people argued that it was difficult to get a taxi in the immediate area on a rainy day. I imagine it is. Then again, taxis are hard to come by in any neighborhood in Paris on a rainy day.

The Shangri-La may not be central to the Golden Triangle, but a great hotel is capable of being the center of its own universe. This hotel is still developing and at this writing has yet to prove such greatness, at least not to me, but it does have a quiet grandness. Besides, the location of choice in the City of Light isn’t a street or an arrondissement but Paris itself.

Anyway, the location is Paris enough that I heard a generous amount of well-spoken French in the tea room/lounge while having a cup of Pu’er chrysanthemum tea. I’ve no special affection for flowery teas, but while waiting for an appointment in the hotel lounge with a cup and a pot of it in front of me, I realized that it didn’t matter how central the hotel was because I was the one who was centered.

Décor
The building at the heart of the Shangri-La, the former Palais Iéna, was built 1892-1896 as the home of Roland Bonaparte (1858-1924), Napoleon Bonaparte’s grandnephew.

Shangri-La is an Asian chain (this is their first European venture) yet it has largely maintained the original patrician Parisian spirit of the ground-floor public rooms. They were and remain an ode to the marriage of aristocracy and industrial achievement. The hotel’s public spaces successfully play the Parisian parlor game of showing class through restraint.

Shangri-La has not set out here to offer Parisians an Asian touch but to offer a Parisian home to travelers who may well have already been to Asia. Nevertheless, the welcome tea in the rooms, the Ming-inspired vases by the entrance, the veneers, the occasional silk vest (an awkward touch, sorry to say, on otherwise Paris service folk) and some coy feminine nods let us know that the Shangri-La chain is indeed based in Hong Kong.

There’s a stolid luxury here of revisited early 19th-century themes of straight lines, dark wood, marble, bronze, gilt. The beautiful wallpaper and wall fabrics made me want to caress the walls in the corridors and in the bedrooms. The high-class amenities and gadgetry (e.g. TV integrated into the mirror) are all present as in any recent hotel of this standing.

The décor edges towards clarity and minimalism rather than showiness. I can understand why some say that Pierre-Yves Rochon’s contemporary Empire décor lacks fantasy, though what appeals to me here is precisely that discretion. Several more ornate reception rooms exist at the Shangri-La for private events, otherwise the décor, like the location, doesn’t scream “Destination for stars, sheiks and fashion victims.”

In avoiding the touches of frou-frou that are sometimes merely intended to show that a hotel is as cool and contemporary as its would-be clients, Shangri-La may have erred on the side of caution. However, I do think of the decor as generally graceful. And in three visits to (not nights in) the Shangri-La I’ve yet to see much in the way of the zoo of fashionistas and vulgarity that can inhabit some of Paris’s finest hotels. That’s a good sign.

Eiffel Tower Views
More than half of the 81 rooms and suites have a direct view of the Eiffel Tower and the Seine, including magnificent terraces with several of the untouchable suites and some balconies with more standard rooms. The Eiffel Tower view from two of the most precious suites has already made the rounds of the magazines favored by those who can almost afford to stay there.

Interestingly, the hotel’s most expensive suite, the nearly 3000-sq.-ft. Imperial Suite, whose posted rate is 18000€ per night, does not have an Eiffel Tower view. That’s because that suite is a part of Roland Bonaparte’s original private mansion, and Eiffel’s Tower, completed several years before the mansion was built, held little favor with the upper class at the turn of the century.

Bar and Restaurants
The Shangri-La Hotel has three restaurants: the intimate and formal L’Abeille (The Bee), named for a symbol of the Bonaparte family, the polished La Bauhinia, named for the flower on the flag of Hong Kong, serving French cuisine along with select Asian dishes, and Shang Palace, serving gourmet Cantonese cuisine. A “well-being space,” including a swimming pool, is due to open later this year for the exclusive use of hotel guests.

*

For more on Shangri-La’s public areas, in particular its bar and the restaurant La Bauhinia, read the continuation of this review: La Bauhinia at Shangri-La: Seductively Polished Cuisine and a Little Cleavage.

For the prequel to this article see: In Transit: The Route to Shangri-La Is Paved with Good Intentions.

*

Shangri-La Hotel, 10 avenue d’Iéna, 16th arrondissement. Tel. 01 53 67 19 91. Room rates begin at 750€ (over $1000) per night.

Comments may be left below.

The post A Review of the 5-Star Shangri-La Hotel in Paris appeared first on France Revisited - Life in Paris, Travel in France.

* * *

Shangri-La, a welcome addition to the top tier of 5-star hotels of Paris, is a discreet establishment. Its discretion begins with its location, which is respectably askew from the glitter of the city’s golden triangle.

Detractors cite its distance from the hubbub of high fashion and gastronomy in Paris. So do admirers. Count me among the latter.

The building at the heart of Shangri-La, the former Palais Iéna, was built 1892-1896 as the home of Roland Bonaparte (1858-1924), Napoleon Bonaparte’s grandnephew. Shangri-La is an Asian chain (this is their first European venture) yet it has largely maintained the original patrician Parisian spirit of the ground-floor public rooms. They were and remain an ode to the marriage of aristocracy and industrial achievement. Shangri-La’s public spaces successfully play the Parisian parlor game of showing class through restraint, with the occasional silk vest standing by to let you know that the Shangri-La chain is indeed based in Hong Kong.

I will write soon on France Revisited of the appeal of the rooms (which start at $1000 per night), of the 19th century themes of straight lines, dark wood, marble, bronze, gilt, of the beautiful wall paper, and of the Eiffel Tower views.

L and I, however, didn’t come for the night. We came for the evening.

Le Bar

Discreetly entered beyond the hotel’s reception area, the contemporary Empire décor of Le Bar offers an easy-going invitation to dream of foreign and local adventures. There’s a faux minimalism to the center of the bar that on first glance on a relatively empty evening can make it feel that something is missing from the décor, but then we realized that it was us—and here we were!

It all came together when we took a seat and got in deep conversation about a choice of a cocktail with head bartender Christophe Léger, who previously tended at the Bar Vendome at the Ritz for 13 years.

I’d felt duty-bound to ask for a Pink Lady since that’s the house specialty, but Mr. Léger saved me from the embarrassment of sitting in front of a pink drink by explaining that the egg white and cream in it made it too heavy before dinner. After a brief bit of cocktail history—something at which the head bartenders at top hotels are known experts—Mr. Léger steered us to what can only be considered a women’s drink (something slightly sweet) for L and a man’s drink (some kind of sour) for me.

Forty minutes later there was a question of trying other concoctions and of considering a fine selection of olives and nuts as our appetizer, but then we remembered that an enticing dinner adventure awaited just down the hall.

La Bauhinia is an airy east-meets-west rotunda sporting a Maurano 3-tiered chandelier and crowned by a glass canopy.

There’s a wavering moment as you enter since you’re aware that people sit at these same tables in the morning ordering veggie omelets or paying $50 for coffee and a croissant, and your enthusiasm deflates slightly at the thought that you’ve come to a hotel restaurant and not a real restaurant. But that impression goes away as soon as the waiter pulls out the table for your date to sit on the banquette and your date, rearranging her pearls, says, “Thanks for bringing me here, I thought this was just going to be a hotel restaurant but it’s really quite nice,” and you see how lovely and comfortable she looks against a background of celadon vases.

So we toasted our good fortune at dining together.

La Bauhinia, named for the flower on the flag of Hong Kong, serves polished cuisine that’s largely French along with select Asian dishes. The hotel has a separate restaurant of more rarified gastronomy, the intimate and formal L’Abeille (The Bee), named for a symbol of the Bonaparte family. A third restaurant, Shang Palace, slated to open at Shangri-La this summer, will serve gourmet Cantonese cuisine.

We were testing La Bauhinia in springtime, so L started with a fresh salad of grapefruit, shrimp, peanuts and a spicy vinaigrette (photo below) while I took the white and green asparagus with a light leek sauce.

We then tried a second appetizer, a gift from executive chef Philippe Labbé, of braised endives with black truffles and a while truffle cream sauce—and a most pleasing gift it was, our shared favorite.

Makes you want to dive right in.

Next came L’s lotte (monkfish) and my lamb. La Bauhinia serves well prepared, non extravagant gastronomy. It’s the kind of meal one has when one wants to eat chic and well without having to deal with attitude or a picture-perfect plate. Here is L’s dish of chunky pieces of sauced-up lotte.

L’s dessert was so pretty that we simply admired it. There was a question of rather to begin by forking or spooning it. L preferred to spoon.

We followed the meal with tea, as much for the desire to prolong our communion at the table as for the pleasure of having the celadon color tea set on the table, with the vases over L’s shoulder.

L then bore her soul to me and proffered a piece of chocolate.

Neither overly refined nor overly brash, pricey but Parisian, an evening at Le Bar and La Bauhinia at Shangri-La is just right when you want to head confidently, though not excessively, upscale—and grab what life offers you with both hands.

Bauhinia at Shangri-La Hotel, 10 avenue d’Iéna, 16th arrondissement. Tel. 01 53 67 19 91. Open for breakfast, lunch, tea, dinner. Dress code: smart casual. For dinner count on 75-100 euros per person for 3 courses, without drinks, or 150-175 euros per person for an evening that begins at the bar and ends well.

Read the review of the Shangri-La Hotel, particularly its rooms, decor and location, here.

For the prequel to this article see In Transit: The Route to Shangri-La Is Paved with Good Intentions.

The post La Bauhinia at Shangri-La: Seductively Polished Cuisine and a Little Cleavage appeared first on France Revisited - Life in Paris, Travel in France.