Admittedly, war touring isn’t for everyone. After all, that’s far from the Eiffel Tower, isn’t it? (Well, no, you can actually see the Eiffel Tower from an American war cemetery.) And you’d rather be drinking Champagne, right? (Well, the largest U.S. WWI monument in France actually overlooks Champagne vineyards at Château-Thierry.) And you’d rather visit the Gothic cathedrals of France than the war shines of Americans. (You mean like those that you’ll pass along the way?)

OK, I won’t try to convince you. But if you’ll give a look and listen to the presentation below, you’ll see and learn why someone—maybe not you, but you’ve got curious friends and relatives, right?—might want to visit these sights.

Don’t just take my word for it.

Earlier this year I met with John Wessels, Chief Operating Officer of the American Battle Monuments Commission (ABMC), to ask if the ABMC would be willing to participate in a Zoom talk with me to explain to readers of France Revisited the interest of knowing about and one day visiting the American WWI sights of France. He readily agreed. There was then a question of finding the right person to co-present with me.

I’ve written many articles about touring American war sights in France relative to both the WWI and WWII, I’ve have given lectures in the United States on the subject, and I’ve personally taken numerous travelers to visit these sights. But I’m a generalist regarding travel and touring in France. So I needed a true specialist to join me for the presentation, preferably a military historian who’s visited the sights to be discussed who could speak authoritatively about both major events of the First World War and the creation and evolution of memorials, monuments and cemeteries. Thanks to John Wessels and to the ABMC’s media and communications duo of Hélène Chauvin in Paris and Ashley Byrnes in Arlington, we found the perfect specialist for the program: Ben Brands, the ABMC’s historian and a war veteran himself (Afghanistan).

I now invite you to watch the France Revisited “Conversation with an Expert” below in which Ben Brands and I speak about the American WWI memorials, monuments and cemeteries of France. This presentation—illustrated with numerous maps and photos—was conducted and recorded via Zoom on November 10, 2022, with a live audience of readers of France Revisited. Several segments were rerecorded shortly thereafter so as to resolve technical problems and for coherence.

The timeline below the video indicates the list of topics, events and sights along with the speaker, whether Ben Brands (BB) or myself (GLK). The full presentation lasts 1½ hours. If you wish to watch only portions of the presentation, I recommend that you watch it directly on Youtube and on full screen so that you can click or tap directly on the timeline in the Youtube description section in order to arrive at segments of particular interest to you and better view details of the images. Be sure to watch my introduction and Ben Brand’s conclusion to understand the underlying reasons for organizing this presentation.

Video timeline

0:00:00 Introduction by Gary Lee Kraut
0:05:40 Ben Brands presents the work of the American Battle Monuments Commission (ABMC)
0:07:12 Who is Ben Brands? What is his role as historian at the ABMC? His tour of duty as a company commander in Afghanistan.
0:12:22 A comparison between a WWII map of the Invasion of Normandy 1944 and WWI maps of northern and northeastern France and Belgium. (GLK)
0:15:24 American entrance into war. Pershing visits Lafayette’s tomb in the Picpus Cemetery in Paris. (BB)
0:18:39 The annual changing of the American flag over Lafayette’s tomb in Paris. (GLK)
0:19:30 Origin and evolution of the ABMC. (BB)
0:23:35 The Lafayette Escadrille Memorial. (BB)
0:27:41 The Suresnes American Cemetery. (GLK, BB)
0:32:00 Mont Valérien, a major French WWII memorial, a 5-minute walk from the Suresnes American Cemetery. (GLK)
0:34:17 The American Naval Monument at Brest. (BB)
0:36:39 Why didn’t the Germans intentionally harm the Allies’ WWI sights during WWII? American involvement in the Somme. The Somme American Cemetery. (BB)
0:40:35 Cantigny. (BB, GLK)
0:42:09 Amiens and the American Red Cross huts at the former Cosserat Textile Factory. (GLK)
0:45:01 Art Deco design and architecture in Saint Quentin and Reims. (GLK)
0:46:33 The American Monument at Château-Thierry, Paul Cret, Belleau Wood, the Aisne-Marne American Cemetery. (BB)
0:57:52 The French-American House if Friendship in Château-Thierry. (GLK)
0:58:34 The Oise-Aisne American Cemetery. (BB)
1:01:04 Quentin Roosevelt, a president’s son killed in aerial combat. (BB)
1:05:08 Anne Morgan and the National Museum of French American Cooperation in the Château de Blérancourt. (GLK)
1:05:56 The Saint Mihiel American Cemetery and the Montsec American Monument. (BB)
1:09:20 Philanthopist Belle Skinner and the village of Hattonchâtel. (GLK)
1:10:18 Verdun and the Douaumont Ossuary. (GLK)
1:11:56 The Montfaucon American Monument. (BB)
1:14:18 African-American soldiers: segregation, heroes, awards and burials. Jewish grave markers. (BB)
1:20:52 The Meuse-Argonne American Cemetery. (BB)
1:23:09 The Romagne German Cemetery, Jean-Paul de Vries’ Romagne 14-18, Sergeant York. (GLK)
1:25:17 The French and American Tombs of the Unknown Soldier. (BB)
1:27:25 Conclusions by Gary and Ben.

Sights discussed in this presentation are located in the Paris region and the departments of Finistère (Brittany), Somme (Upper France), Aisne (Upper France) and Meuse (Eastern France).

Text © 2022, Gary Lee Kraut

The post Where and Why to Visit the American WWI Sights of France appeared first on France Revisited - Life in Paris, Travel in France.

December 10, 2018
Dear Friends, Readers and Travelers,

I write this in the wake of two major events in Paris over the past month that occurred by the Tomb of the Unknown Soldier at the Arc de Triomphe:

1/ On Nov. 11, the gathering of leaders of the belligerent nations of the First World War to commemorate the centennial of the armistice.

2/ On Dec. 1, the vandalization of the arch by some affiliated with the Yellow Vest movement.
It’s no coincidence that both events took place at the same highly symbolic site since each of those involved individuals holding different visions of the future of national and international institutions.

Close-up images of burning cars may be impressive, but planning violence by setting out early in the day with bocce balls in your backpack rather than an AK-47 and 50 rounds nearly seems quaint from an American point of view. Anyway, those Yellow Vests who arrived in the capital intent on destruction can’t be considered as defining the entire movement. The many who say that it’s time to “take our country back” and end the current presidency because they say so are likely more representative, with many earnest earning- and tax-related gripes, complaints and frustrations in the mix.

Parisians want to feel safe, of course. And we do—safe, secure, well-fed. Visitors should too; they may just need to turn to guidance (e.g. the hotel receptionist) to know where not to venture on a demonstration day. Personally, I’m looking forward to a visitor-filled holiday season. As to travel through the rest of France, slow traffic on a partially blocked route is the main risk—and yet another good reason to take to country roads.

Still, between the centennial commemorations and the vandalization of the Arc de Triomphe, not to mention Yemen, Saudi assassination teams, global warming and whatever the Russians are now up to, I’ve decided to make this a 5-part newsletter on the theme of war.

France Revisited is not, however, a place for pessimism. Travel means learning and wars are historical events that we can learn from. Rest assured, this newsletter also speaks of champagne for the holidays, bratwurst for Batignolles and some exceptional French cuisine for your Paris restaurant list.

Here’s the newsletter war strategy.

Part 1. Over There: WWI Sights of the American Meuse-Argonne Offensive
Part 2. Belleau Wood, the War on History and Peaceful Champagne with Gary on Dec. 14
Part 3. Paris’s New WWI Memorial
Part 4. The War on Slavery: The Abolition Route in eastern France
Part 5. Hanukkah and the War of the Maccabees (an Excuse)

Part 1. Over There: WWI Sights of the American Meuse-Argonne Offensive

The First World War left its mark throughout the department of Meuse in northeast France, from Saint Mihiel to Verdun to the Argonne Forest. This article, including three videos, examines several sights relative to the Meuse-Argonne Offensive of the U.S. First Army in the fall of 1918: the Meuse-Argonne American Cemetery in Romagne-sous-Montfaucon, Romagne 14-18, the Romagne German Cemetery and the Montfaucon Monument. It also provides information about visiting other WWI sights in and on the edge of Meuse, along with hotel and B&B suggestions.

Part 2. Belleau Wood, the War on History and Peaceful Champagne with Gary on Dec. 14

No sitting U.S. president has ever visited Belleau Wood, the Aisne-Marne Cemetery and the American Monument at Chateau-Thierry, which are among the most significant American WWI sights in France. In planning for U.S. President Donald Trump to the visit Belleau Wood and the cemetery that it overlooks last month, the State Department and president-watchers of all tendencies were well aware that this was to be an exceptional occasion. Extreme precautions were made to ensure that, rain or shine, it all went off without a hitch: the photo op, the clear, simple speech, etc. The point, of course, was not for the president himself to get a tour of those sights, but for Americans at home and abroad to bear witness—and therefore participate—in his honoring of fallen countrymen and the connection between their deaths, our participation in the war, and our country today.

Cancelling the visit on a day of light rain robbed Americans of that opportunity. A president’s indifference became the indifference of American citizens. Consider it a battle won by those waging a war on our own history. But here’s the catch: you have to know what you’ve been robbed of in order to know what’s missing.

To understand the harm of the cancelled visit, try to imagine the WWII Normandy American Cemetery and Pointe du Hoc without a visiting U.S. president making a speech about how America is greater and the world better off for what happened there. You can’t. That’s because a major reason that millions of Americans feel connected enough with D-Day and U.S. involvement in the Second World War to travel to Normandy is because of Reagan’s presence in 1984, Clinton’s in 1994, Bush’s in 2004, and/or Obama’s in 2014—and Private Ryan’s in 1998.

Some of those presidents you despise, others you admire. But it’s neither that admiration or contempt that led you to Normandy; it’s the fact that their very presence focused attention on a time and a place and made it seem important, significant, moving, worthy of attention and of a 3-hour trek from Paris, rain or shine. You felt in one way or another that those sights belonged to you, no matter which president gave the speech, as long as it was given.

We have collectively now been robbed of an opportunity to feel that connection with these World War I sites. But individually you can still go. One possibility is to join me on December 14, when I’ll be leading a small group or groups from Paris to the area of the president’s cancelled visit, an hour away. In the morning we’ll visit the war sights, followed by a delicious lunch with champagne tasting. In the afternoon we’ll visit two champagne producers in the area. For those who live in Paris, you’ll be able to stock up inexpensively on champagne for the holidays.

Let me know as soon as possible if you’d like to join. The cost of the daytrip (including transportation, lunch, tastings and tours) is 270 euros per person, 520 euros for two. The first two people who can tell me the color of the cat with respect to this newsletter get 25 euros off for this week’s trip.
I’ll also be repeating this trip several times in the spring.

Part 3. Paris’s New WWI Memorial

Traveling through the countryside of France you’ve undoubtedly noticed some of the 30,000 monuments honoring those who “died for France” during the First World War, with the names of local citizens inscribe on them. Paris never had such an inscribed monument, perhaps because of the sheer number of those killed during or as a result of the war: 94,415 Parisians in all have been identified, based primarily on lists drawn up in each arrondissement in the years following the war.

The centennial was the occasion for the City of Paris to rectify that by erecting a 306-yard long memorial plaque on which is inscribed the names of each individual. Inaugurated on Nov. 11, it can be seen on the outer wall of Père Lachaise Cemetery along Boulevard de Ménilmontant.

The two major national monuments in Paris paying homage to soldier killed during the war are the above-mentioned Tomb of the Unknown Soldier beneath the Arc de Triomphe and the little-noticed monument To the Glory of the French Army 1914-1918 at Trocadero. One might add to that list the vast painting entitled Departure of the Hairy Ones [the nickname for French soldiers during WWI], August 1914, at the Gare de l’Est train station. It is the work of the American artist Albert Herter.

Part 4. The War on Slavery: The Abolition Route in Eastern France

Slavery is a crime against humanity. So decreed France in 2001, making it the first country to do so. What may seem to be a solely symbolic decree, akin to declaring the Jurassic era over, is actually a way of condemning the country’s own history with respect to slavery. Honoring the victims of slavery and the slave trade as well as major abolitionist figures of the 18th and 19th centuries, two dozen sites in eastern France and Switzerland form a constellation known as the Abolition of Slavery Route. This article concerns several of those sites in the Burgundy – Franche-Comté region in central eastern France.

Part 5. Hanukkah and the War of the Maccabees (an Excuse)

I’m sending this message at the end of Hanukkah, the Jewish wintertime festival of lights. The holiday celebrates the rededication of the Temple in Jerusalem by Maccabean Jews after its desecration by Syrian-Greeks. There’s nothing French about Hanukkah, but it’s the opportunity for me to recall what Jews enjoy saying that nearly all Jewish holiday are about: They tried to kill us, we survived, let’s eat.

And that, dear readers, is my timely excuse to end all this talk of war with recommendations for three Paris restaurants, recently tested.

Café Biergit. There’s been a little bit of Berlin in Batignolles (17th arr.) ever since the cheerful Café Biergit opened its doors last May. The bratwurst and currywurst are imported from Germany, as are the bar’s 60 Rhine-style beers. Potato salad and apfelstrudel as well… totally gemütlichkeit! All dishes under 14€. Open daily. (As recommended by Corinne LaBalme.)

Le Nom m’échappe translates as “The name escapes me” and I forgot it myself after first eating there a couple of years ago. But I returned last week and enjoyed the evening so much that I am certain not to forget it again. The tight seating at this welcoming restaurant by the Bourse (2nd arr.) makes it feel like a private club in which to partake in chef-owner Damien Moeuf’s elegant bistro cuisine. Forthcoming don’t-hesitate-to-ask-questions service is provided by his wife Catherine Moeuf and young waiter/natural wine adviser Fred (offered in fluent English, if necessary). Prices: 2 and 3 courses at lunch 19 or 23€, 2 or 3 courses at dinner about 38 and 50€, respectively, plus beverages. Closed weekends.

Kei. If Kei Kobayashi’s name sounded more French to our ears I suspect that his 2-star Michelin restaurant would have more English-speaking clients. As it is, he has lots of Japanese clients along with a faithful French clientele. While his restaurant is infused with the Japanese sense of precision and exquisite design, it also bears all of the hallmarks of the heights of French gastronomy. For whatever his passport, Kobayashi is an exceptional French chef. His cuisine is presented exclusively through a selection of fixed-price tasting menus, at lunch from 58 to 199€, at dinner from 110 to 220€, without beverages. Closed Sun. and Mon. An article about Kei Kobayashi and his restaurant near Les Halles (1st arr.) will be published on France Revisited this winter.

Please let me know as soon as possible if you’d like to join on the December 14 Belleau Wood, WWI and champagne daytrip from Paris.

You spotted the cat, didn’t you?

Happy travels always,

Gary

Gary Lee Kraut
Editor, France Revisited

The post Arcs of War and Triumph appeared first on France Revisited - Life in Paris, Travel in France.

* * *

Americans visiting the D-Day Landing Zone of Normandy quickly learn the invasion map by heart: the five thick arrows pointing toward Utah, Omaha, Gold, Juno and Sword Beaches; the lines indicating the flight plan that dropped paratroopers and released gliders to the east and west of the zone; the grey band representing the joining of Allied forces throughout the zone and their push inland; the black arrow of the German counteroffensive around Falaise, and finally the victorious block of Allied grey up to the Seine River. Mission accomplished.

The movement on the ground was full of pitfalls, of course, but between the channel, the river and the sweeping color-coded movement of troops, the momentum of the Invasion of Normandy appears clear, even inevitable, whether your recognize the names of individual towns and villages or not.

A map of First World War battle zones is not as easy for American’s to grasp. Yet the vast majority of the American Expeditionary Force joined our Allies along the Western Front in France, with some in Belgium.

Brits may be more comfortable with the map of the Western Front of WWI because of proximity, because the Somme, Amiens, Ypres (Belgium) and the Marne still resonate with many, and because the Imperial War Museum in London continues to draw crowds. Many Canadians can situate Vimy Ridge because it speaks so clearly of the coming of age of a nation and because the monument there is the most stunning Allied war memorial in all of France. Australians know of Villers-Bretonneux.

But the map below of the Aisne-Marne Salient showing ground captured by American divisions after July 18, 1918, an essential element in the development not only of the war but of “the American Century,” speaks little to us…

… even though it’s shown on the most impressive American war monument in France, the American Monument on Hill/Côte 204 above Chateau-Thierry, 60 miles northeast of Paris.

History has never been America’s strongpoint, and our grasp of our own role in the First World War is no exception to that. We need more context and basic information than other participants of the Great War in order to begin to understand its significance. Thanks to the new little museum at the foot of the American Monument, context and information are now readily available on a daytrip or more from Paris.

The museum

The museum, like the monument above it, is the work of the American Battle Monuments Commission. A presentation space was created along with the monument in the late 1920s but it wasn’t furnished until now, as part of the overall restoration of the monument.

As it had at the Normandy American Cemetery on the eve of the 60th anniversary of D-Day in 2004 with respect to the Second World War and the Battle of Normandy, the ABMC saw the need provide American visitors with an overview of the American intervention in the First and battles in the Aisne region of France on the 100th anniversary of our participation in major combat during that war. After all, pristine cemeteries and imposing monuments and pristine cemeteries aren’t intended merely to serve as dramatic backdrops for the occasional speech by a government official but are to be visited, honored, understood, questioned and contemplated year-round.

Despite its modest size, or rather because of it, the new museum plays its role to greater effect than the museum in Normandy. Whereas the ABMC’s Normandy museum seeks to direct and frame the visitor’s emotions, the Chateau-Thierry museum appears to have no agenda other than to provide visitors with context and an introduction, where much is needed, to the Great War and to American involvement in it.

The information is brief, just enough to get the uninformed visitor curious. This is not a roll call of the dead but of the situations and events of our involvement in the war: the German attack on Belgium and France, trench warfare, American isolationism, American interventionism, “Lafayette, we are here!,” the arrival of green American troops in 1917, Pershing’s plan, an American army under American command, the German offensive of 1918, American entrance into action in around Chateau-Thierry, the Battle of Belleau Wood nearby, “The Rock of the Marne,” photographs and posters, the Armistice, the death toll, and the creation of the ABMC, of cemeteries and monuments.

The presentation can be visited in 30 minutes. This isn’t where one studies the war, rather where one finds the spark to understand an essential period in American history and in our relationship with the world as a global power… and to begin to understand the significance of the monument and of the map shown on it.

The presentation ends by giving credit to Paul Cret (1876-1945), the French-American architect (and veteran) who designed or oversaw the design of many WWI monuments and memorials in France, including full involvement in the American Monument here and the chapel at the Aisne-Marne Cemetery five miles away. The shout-out to Cret is well deserved. Though his name isn’t known beyond architectural circle, Cret’s work is familiar to many: the Rodin Museum and layout of the Ben Franklin Parkway in Philadelphia, the Indianapolis Central Library, the Cincinnati Union Station, the Detroit Institute of Art, the main building and campus layout of the University of Texas at Austin, the headquarters of the Federal Reserve in Washington, D.C., and others.

The monument

The American Monument fulfills the four major characteristics that the AMBC sought in the 1920s to honor the American presence in the war: it’s built on the site of a significant battle; it’s visible from afar; it has a commanding view of a zone covered by American military operations, and it is accessible to the public.

(In addition to the American Monument at Chateau-Thierry, the two other major WWI monuments in France also fulfill these criteria: the Montsec Monument nine miles from the Saint Mihiel American Cemetery, and the Montfaucon Monument several miles from the Meuse-Argonne American Cemetery. Both monuments are further east, in the Meuse region.)

The view from the monument shows what a strategic position this was, on a hill known as Côte 204 according to its wartime designation, overlooking the Marne River and the flat land beyond it that. We are near the southern end of the reach of Germany’s Spring Offensive of 1918, which is as close as their troops would come to Paris during the war.

In 1914 the First Battle of the Marne had seen British and French troops stop the German momentum that had swept relentlessly through Belgium and deep into northern and northeastern France. Now, in 1918, the Americans, first under French command and soon under their own, joined the fray in legendary fighting including the Third Battle of the Aisne (May 27-June 6), the Battle of Belleau Wood (June 6-26, 1918) and the Second Battle of the Marne (July 15-Aug. 6), where the 3rd Infantry Division would earn its nickname “The Rock of the Marne.” Those and other battles along the Western Front would set in motion a complete shift in momentum that would overwhelm German forces several months later.

Having enter along a long driveway, the visitor arrives before a rigid colonnade in a tight, unyielding formation. Against this backdrop of a classical theater of sorts, female allegorical figures of France and of the United States stand center stage. They hold hands as though standing severely united before a tomb in impassive echo of the colonnade itself. The figures are the work Alfred-Alphonse Bottiau, a French sculptor who worked with Cret on a number of ABMC monuments.

Division numbers, insignias and names of battles in the region are inscribed on the monument. They may not be as evocative as Omaha, Utah, Gold, Juno, Sword, but perhaps your curiosity will be awakened to learn more about the origin or evolution of U.S. divisions, their insignias and engagements. Among them:
– the 1st “Big Red One” Division whose 2nd Battalion, 16th Regiment became the face of Americans in France when it paraded through Paris to Lafayette’s grave on July 4, 1917;
– the 2nd “Indianhead” Division, whose insignia of an Indian in profile with headdress was derived from an emblem a driver had painted on his truck;
– the 26th “Yankee” Division, drawn from units from New England;
– the 28th “Keystone” Division formed from units of the Pennsylvania National Guard;
– the 32nd “Red Arrow Division” from the Wisconsin and Michigan National Guards;
– the 42nd “Rainbow” Division drawn from units that stretched “like a rainbow” across 26 states and the District of Columbia;
– the 77th “Statue of Liberty” Division from New York City,
– and the 93rd “Blue Helmet” Division, among others. The 93rd was an African-American segregated division whose regiments (269th Harlem Hellfighters of New York, the 270th Black Devils of Illinois, the 372nd Infantry Regiment) were welcomed as fighting forces by French commanders (who issued them blue French helmets) at a time when American commanders saw African-Americans as a labor-only force.

After a visit to the museum, the map of American military operations below the eagle on the eastern side of the monument may still be hard to grasp, but it will be coming into focus as you head next to Belleau Wood and the Aisne-Marne American Cemetery.

Practical tips for visiting the area

A day of WWI touring in the immediate area of Chateau-Thierry can include the American Monument, Belleau Wood and the Aisne-Marne American Cemetery over the course of several hours. It’s then possible to pursue the theme of WWI sights with a visit to the Oise-Aisne American Cemetery, 17 miles northeast of the Aisne-Marne, and the Quentin Roosevelt Fountain and crash site several miles further east.

Or, after visiting the sights around Chateau-Thierry, visitors can shift their attention to wine by visiting Marne Valley champagne producers in the area.

The Curious Tasting & Travel Club organizes occasional private and semi-private tours of the Chateau-Thierry area for a morning of war touring followed by an afternoon of champagne winery touring.

See Chateau-Thierry area’s official tourist site for information about sights, activities and commemorative events in the area. The tourist office occupies the ground floor of the France-America Friendship House.

© 2018, Gary Lee Kraut

The post ABMC WWI Museum Opens at Chateau-Thierry’s American Monument appeared first on France Revisited - Life in Paris, Travel in France.

Visiting, lecturing and touring have taught me a lot about American involvement in the First and Second World Wars. But my interest is not in war in and of itself, let alone the range of a 75 mm field gun vs. a 155 mm howitzer. What I’m especially curious about is the mindset of the contemporary American traveler. I’m interested in understanding how Americans of different backgrounds relate to their/our own history in France and, more importantly, how that reveals a sense of their individual and our collective place in the world. The First and Second World Wars are significant steps in that history and that place. But I am not a war buff. I am not a history buff. What I am is an American France travel buff. So I would be remiss not to visit American-related and other war sights and to try to understand how and why they came about and what they may signify today.

Yet I recognize that the vast majority of Americans of the 21st century have scarce interest in the First World War—and that despite the spring of 2017 marking the centennial of our entrance into the war and hence of the beginning of the so-called American Century.

Some historical events of 1917: The U.S. declared war on Germany on April 6; General John J. Pershing, commander-in-chief of the expeditionary corps arrived in Boulogne-sur-Mer on June 13; the first major contingent of American forces arrived in France at Saint Nazaire on June 26; American troops marched down the Champs-Elysées in Paris on July 4, and that same day Pershing visited Lafayette’s tomb in Picpus Cemetery.

As I write today, however, one hundred years later, Americans, in their vast majority, whether homebound or travel bound, as well as our elected officials, show little to no interest in the centennial. (We do actually have a national World War One Centennial Commission.) Not that every anniversary needs marking, but there are anniversaries that are uncanny reminders of where we are today and of the decisions and worldviews that we hold. The current centennial is one of them. The causes of WWI, the great debates about international intervention of a century ago and our eventual entrance into the war on the side of France and Great Britain, the development of our military and of our military industry, our role in the conflict’s military outcome and in its final treaty: all of those are echoed in debates and decisions today.

But examining history is not our national strongpoint. For some it may even be anti-American. Furthermore, between the America First attack on science, public education and critical thinking, on the one hand, and by the me-first sense that since Teddy Roosevelt shot game and I want to protect big game and since Woodrow Wilson was a bigot then I’ve got nothing to learn from their points of view, on the other hand, there isn’t much daylight for a national history lesson.

Personally, I prefer having a 13-year-old tell me that history is boring than an adult tell me that it doesn’t matter, because I can then tell a story and show a sight to the 13-year-old to spark interest whereas the adult will dig in to ill-informed convictions like trench warfare.

Nevertheless, despite our national aversion to history, we are very attracted to trends. Knowing and taking part in trends is important to us, even without understanding that they are trends since doing so would involve a minimum of critical thinking. Luckily, then, travel is frequently marked by trends.

We’ll always have Paris, of course, but other destinations that Americans select by broad measure in France shift from time to time. A destination will stand out on the map for the short- or medium-term thanks to some well-placed articles and advertisement, famous visitors, a big book or especially a big movie. Images of Ronald Reagan at Point du Hoc 1984, Bill Clinton in the Normandy American Cemetery 1994 or Saving Private Ryan 1998 may inspire thoughts of visiting Normandy some day.

France Revisited doesn’t have the pretension of influencing trends in tourism any more than we do of following them, but we do pride ourselves on helping to fill in the gaps left by other publications. So while awaiting to the trends set in motion by a blockbuster WWI movie, you can read archived articles about Quentin Roosevelt, “the most famous American killed during WWI,” about Belleau Wood and the Aisne-Marne American Cemetery, about Chateau Thierry’s bond with the U.S., and about the American Escadrille Lafayette Memorial near Paris.

More articles about WWI sights, American-related and other, will appear on France Revisited in the coming months, written not by a war buff but by an American France travel buff. In the meantime, my travel research is well underway. Recently, shortly before the first round of the French presidential election, while touring Meuse, Lorraine (northeastern France), I took a snapshot of a desolate corner of the village of Hattonchâtel.

Desolate but very much alive, as the fresh flag and pole and newly pasted and defaced election posters demonstrate. I’m guessing that the posters were slashed by a fan of Philippe Poutou, candidate of the New Anti-Capitalist Party, NPA, whose face remains intact. The slasher may not be difficult to find since Poutou received only 13 votes out of the 967 voters here and in the surrounding 6 villages. Where do their sympathies lie? See here.

Visible behind the posters is one of Hattonchâtel’s scant medieval remnants, an arch that is part of the old entrance gate to the village. Not much to see, but a historical monument nonetheless.

The white monument is a rare example of a WWI memorial that only presents a female figure. The village was heavily damaged in the early weeks of the First World War when the Germans took over the village in September 1914. They were dislodged by American troops four years later.

Hattonchâtel was adopted after the war by Belle Skinner (1866-1928), a philanthropist from Massachusetts, who financed the village’s reconstruction, including the local château, village hall and a school, and the installation of a water system so as to bring drinking water into ever household.

So many stories in one desolate corner.

Far be it from me to suggest that this corner of this village in this part of France is worth the detour. But there you have it in a snapshot, a bit of American history along with much else, past, present and, with the election underway, future.

Most American WWI commemorative events in France will take place in 2018, centennial of our involvement in major fighting in France: Belleau Wood, Saint Mihiel, Meuse-Argonne and others. This summer, though, on private initiative, a transatlantic event called The Bridge 2017 will commemorate the centennial of the landing of the first major American contingent at Saint Nazaire. The ocean liner the Queen Mary 2 has been chartered for the occasion. She will be arriving at Saint-Nazaire, site of her construction, from her home port of Southampton, England, before making the transatlantic journey to New York, while four giant trimarans race against her during the crossing. In 1917 the Americans brought with them not only troops that would change the course of the war but also basketball and jazz, not to mention chewing gum and cigarettes. As part of the festivities, therefore the 3X3 Basketball World Cup will be held in Nantes June 17-21 and jazz will be a main feature of the June 21 summer solstice music festival in the area, as well as on board during the transatlantic crossing. I found a publication interested in my writing for them an article on the subject. It’s British. They liked the Queen Mary 2 angle.

© 2017, Gary Lee Kraut

For general tourist information about touring in three of the departments (French subregions) marked by battles involving Americans during the First World War, see Meuse (Meuse-Argonne Cemetery, St. Mihiel American Cemetery, etc.), Aisne (Aisne-Marne Cemetery, Belleau Wood, Blerancourt) and Ardennes (War and Peace Museum, Sergeant York

“The American Traveler and the First World War Sights in France” will be one of four lecture topics that the author will be proposing to universities, Alliance Française groups, libraires and other groups and organizations during his autumn-winter 2018-2019 guest lecture tour in the United States. If interested in this particular lecture write to Gary at gary [at] francerevisited.com.

The post The American Traveler and the First World War Sights in France appeared first on France Revisited - Life in Paris, Travel in France.

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The leaves have mostly fallen from the vines. Here and there small bunches of grapes, unripe at harvest time, remain. Sweet now but abandoned, they are the remnants of the pinots—noirs and meuniers—fermenting in vats of Olivier Belin’s champagne installation outside Chateau-Thierry, 55 miles east of Paris in the Marne Valley.

Further up the valley, the river flows into the heart of the champagne-growing area, past the town of Epernay and the Mountain of Reims. That’s the area that most travelers think of when considering a champagne wine excursion. Belin’s vineyards don’t lie within the border of the historic Champagne region, rather in historic Picardy, but the appellation for the world’s most evocative sparkling wine extends beyond the historic borders.

The western portion of the Marne Valley is primarily pinot meunier territory, the lesser known of the three major grapes of the overall champagne winegrowing zone. Meunier represents about one third of the wine that is assembled in various proportions into making champagne. It is often described as the workhorse grape, pulling the plow to add body for the more refined chardonnay (30% of the growing area) and the more noble and familiar pinot, noir (38% of the growing area). To hear some producers in the Reims-Epernay area speak of pinot meunier you’d think that they were embarrass to be pressing it at all, though press it they do. Given little respect as a grape on its own, meunier is the Rodney Dangerfield of champagne grapes.

Yet in this portion of the Marne Valley, within 10 miles east and southwest of the town of Chateau-Thierry, where 70% of the vines are pinot meunier, meunier holds its head high. Rather, its growers hold their heads high. Among them are the 40 grower-producers that form an association of Marne Valley winegrowers called the Association des Ambassadeurs du Terroir et du Tourisme en Vallée de la Marne, of which Belin is co-president.

“We are artisan winegrowers,” says Belin. “But that doesn’t mean that we’re tinkerers. Our cellars aren’t necessarily beautiful but it’s the work of the winegrower that one visits here.”

Indeed, this not zone of the sprawling chalk cellars, some of them medieval, even Roman quarries, as one can visit in the city of Reims. This is not the zone of vast underground installations as found in Epernay. This is not a zone of grand cru and premier cru vineyards. For the few (if growing number of) American visitors to this portion of the Marne Valley, the Chateau-Thierry area is less known for champagne than for the WWI battleground of Belleau Wood and the Aisne-Marne American Cemetery beside it. A tremendous American Monument overlooks the point in the valley where the German thrust of 1918 was stopped. The monument also overlooks a slope of champagne vineyard. So a taste of champagne or a deeper initiation into sparkling wine can be combined with war touring in the area.

Fact and figures about Champagne production and consumption

For the American consumer, selecting a champagne comes down to considering the labels of four or five brands, perhaps a few more at your more Francophile wine shop. Yet the champagne winegrowing region is home to 15,800 grape growers and 12,000 brand names. Only a handful of brands, those with large advertising budgets, reach most states of the union, though over the past decade medium and small houses and grower-producers have slowly been making their way into major markets.

More than half (52%) of all champagne is consumed in France. That doesn’t mean that the French are more festive than others, rather that champagne isn’t reserved for festivity in France but also serves as an aperitif at many gatherings, both casual and formal, social and festive. While bottles are available in a wide price range, there are plenty of worthy champagne available at under 30€, including a significant direct producer-to-consumer market offering good value bubbly for under 20€, as is the case of many of the champagne produced in the Marne Valley.

Even in France Marne Valley champagne is little known. Most people are unaware that the growing area extend this close to Paris, this close to brie cheese territory. Nevertheless, some of the grapes from these vineyards go into well-known labels. Belin, for example, sells a portion of his harvest to négotiants manupulants who buys grapes, juice or wine to make champagne on their own premises that they then market under their own label. All of the major champagne houses work that way. They may own some vineyards but need far more grapes than their own can provide.

Belin himself is a récoltant manipulant or grower-producer, meaning that he makes champagne on his own premises from the grapes of his own vineyards and under his own label.

The third major type of player in the wine business is the cooperatives, which produce champagne collectively, then sell them under a collective or individual label. There exist in the growing region 320 champagne houses and 39 cooperatives along with an astounding 4461 grower-producers, according to the Comité Champagne, the champagne trade association.

Last year, the U.S. ranked second in champagne’s export market (20.5 million bottles) after the U.K. (34.2 million) and before Germany and Japan (just under 12 million). Meanwhile, there are currently about 1.4 billion bottles in storage in the region.

Those are impressive numbers, but the most telling indicator of the difference between the French and the export markets is that in France 43% of champagnes bottles sold are produced by grower-producers or cooperatives whereas in the export market only 13% comes from those players. In other words, you’ll likely need to travel to discover them.

Champagne Gérard et Olivier Belin

As is often the case with small producers, Belin’s father and grandfather were grape farmers, selling their crop to others. His father, Gérard, then began selling champagne through a cooperative before producing champagne from his own grapes, under his own name. Having trained as an oenologist, Olivier began making wine with his father in 1997: tending the vines, harvesting and pressing, assembling wines, dosing sugar. He took firm hold on the reins of the business about five years ago while he continues to consult his father for his opinion whether in his vineyards or in the cellar. The label of Champagne Belin indicates both names. Olivier’s wife Katty is also involved in the family business.

Olivier Belin’s grandparents owned four hectares (just under 10 acres), to which his parents added two more. Belin now produces about 40,000 bottles per year, 60% of which he sells directly to consumers. The average grower-producer in the area makes about 20,000 bottles per year. Altogether the association’s members produce about one million bottles per year. That’s a drop in the champagne bucket consider that 310 million bottles were sold in 2015 for the entire winegrowing region. (Overall, Marne Valley vineyards represent about 10% of the overall champagne vineyard zone.).

With a hectare of champagne-grape vineyard now selling for 1-1.2 million euros, grape growers may be sitting on a gold mine, but it isn’t land wealth that one encounters in the area, rather the work and passion of these grower-producers.

To visit Belin’s installations and taste his sparkling wines in his little tasting room is to glimpse the passion of an artisan involved in his product from start to finish and from tradition to renewal. It’s the opportunity to understand the choices that winegrowers make in producing their product range. Belin, for example, appreciates the use of some oak barrel aging in his assembly. The men and women in the winegrowers association that Belin co-presides may not be tinkerers, but in encountering several of them it becomes clear that they enjoy the occasional risk of the fiddling with their grape juice, such as to create “micro-cuvées” of only a few thousand bottles.

Belin’s champagnes and those of many other winegrowers in the Marne Valley are proof that proper champagnes for celebration or for a friendly aperitif can be found for under 22€. However, it isn’t so much the price of champagne that makes visiting these local worthwhile (though Paris residents might want to take the opportunity to stock up) but the opportunity to discover the humanity behind the production of a world’s most famous sparkling wine.

Furthermore, there’s a fascinating diversity of champagnes produced in the Marne Valley, within their natural reliance on pinot meunier. On a daytrip from Paris—and certainly one can stay longer—the wise wine traveler will visit two or three winegrowers over the course of the day or the afternoon (if combined with war touring) to appreciate the diversity of approaches in the area.

Champagne Marteaux

A bench on the hill above the village of Azy-sur-Marne, four miles southwest of Chateau-Thierry, offers a view of the amphitheater of fields surrounding the village. This one of the prettiest views in the valley, though few come this way. It isn’t the view that might lead a traveler here so much as a visit to winegrower Olivier Marteaux.

Previously, polyculture was a way of in the area; farming meant wheat, corn and beets. Those crops are still grown in the area but vineyards is what one most notices when driving through the valley.

Olivier Marteaux’s ancestors were polyculture farmers until the 1950s. His grandfather then developed a wine nursery, selling young vines to grape farmers. In the 1980s the family began keeping their vines so as to grow grapes themselves. They made champagne with the local cooperative before eventually using their grapes exclusively for their own production. With 9 hectares (22.2 acres) of vines—65% pinot meunier, 20% chardonnay, 15% pinot noir—Marteaux currently produces 40-50,000 bottles per year.

Marteaux concocts what might be called connoisseur’s champagnes in the sense that they provide a deep, rich taste of terroir that one doesn’t always associated with bubbly. His vintages have been aged for at least six years prior to disgorgement and typically have low sugar content, such as the 2008 extra brut with 2 grams of sugar for a wine that’s 60% pinot meunier, 20% chardonnay and 20% pinot noir.

Among his four types of champagne he makes a rose de saignée, 100% pinot noir from a single parcel. Its tart fruitiness of Marteaux’s rose may not reflect what we’re accustomed to a rose champagne, but it is a taste that will give the wine-curious traveler a sense of the variety available in champagne wines in general and in the Marne Valley’s in particular. A 100% pinot noir champagne is a rarity in these parts and it’s interesting to compare Marteaux’s rose with Belin’s rosé de saignée, which is 100% pinot meunier.

Saignée is the more erudite way of producing rose since it requires precise pressing in order to obtain the proper color from the skin. In champagne production the preferred and allowed method for making rose is by adding red still wine (from pinot meunier or pinot noir) in assembling the wine so as to adjust the color along with the taste. Belin also makes a rosé d’assemblage. More than 90% of rose champagne gets its color that way.

Marteaux’s wife Laetitia if fully involved in the business, just as is Katty Belin is involved in the Belin family business. These are truly family affairs, which is the case of the vast majority of members of the local winegrowing association.

The Champagne et Vous wine festival

A great opportunity to meet producers on an easy daytrip from Paris is at the annual wine festival Champagne et Vous (Champagne and You) organized by the Marne Valley winegrowers association. The weekend festival takes place in late October in Chateau-Thierry on the site of the ruins of Thierry’s chateau. It’s a largely local event that invites the area’s population to understand the role of winemaking in the local economy and affirm the place of these grower-producers in the champagne-making landscape.

See Champagne et Vous for further information about the festival including portraits and addresses of participating winegrowers.

Addresses and further information

Champagne Gérard et Olivier Belin
30A Aulnois
02400 Essômes-sur-Marne
Tel. 03 23 70 88 43

Champagne Marteaux
6 Route de Bonneil, 02400 Azy-sur-Marne
Tel. 03 23 82 92 47

The Chateau-Thierry Tourist Office, situated near the House of France-America Friendship (see this article) can help those travelers who arrive with any prior appointments but would like to make last-minute arrangements to visit Marne Valley winegrowers.

For further information about war touring and other sights in the area, also see this article on France Revisited.

A B&B and lunch suggestion: Chateau de la Marjolaine
Two miles southwest of Chateau-Thierry, Jean-Pierre and Bruno have transformed this manor house by the river into an attractive B&B, restaurant and champagne bar.
27 Hameau d’Aulnois
02400 Essômes sur Marne
Tel. 03 23 69 77 80 or 06 60 39 98 79

© 2016, Gary Lee Kraut

The post Wine Travel: Respect for Pinot Meunier in Marne Valley Champagnes appeared first on France Revisited - Life in Paris, Travel in France.

Château-Thierry, 55 miles east of Paris along the Marne River, benefited from the dedication of Reverend Julian Wadsworth, delegate of the Board of Foreign Missions of the Methodist Episcopal Church, and his wife in their efforts to honor the memory of fallen soldiers while assisting residents of Château-Thierry and the surrounding villages.

This is an area where American forces played a significant role along with our British and particularly French allies beginning in the spring of 1918 in countering the final major German offensives and pushing them back and to eventual surrender and signature of the armistice of November 11, 1918. The following October, the Wadsworths purchased the shell-ridden Hôtel de l’Elephant in Château-Thierry in order to create what Julian Wadsworth would refer to as “a war memorial” and “a community house of friendliness.”

Known as the Maison de l’Amitié Franco-Américaine (MAFA), the House of French-American Friendship, it provided day care and nursing services, a free circulating library and reading room, a war museum, tech instruction in the use of wireless telegraph and radio-telephone, the organization of Boy Scouts and Camp-fire girls and a social club for girls, while also supporting cultural exchanges and events in English and in French.

The MAFA “afford[ed] an ideal opportunity for closer acquaintance and the making of abiding friendship between the American, English and French peoples,” according to a pamphlet produced under the direction of Wadsworth in 1925. Entitled “A War Memorial: A Community House of Friendliness,” the pamphlet explains:

“Already the French Government had asked the Methodists to aid with relief for the refugees who were returning to the devastated homes. Thirty-two villages were assigned to them. It was while thinking of the aid which the Board of Foreign Missions in New York had offered for the devastated areas of France that the thought came of enlarging this temporary material assistance and making a more enduring monument which would a Memorial worthy of the soldiers whose graves are in France. The gift of the Methodist Episcopal Church to Château-Thierry should be more than a passing gift of material relief. It should be an enduring monument of happiness, built out of the desolation of war. It must be a loving service for those who are still living in the war-scarred villages of the Valley of the Marne.” (The full text of that brochure can be found here.)

In 1930 the Wadsworths donated the MAFA to the city. While it continued its vocations for decades, its increasingly dilapidated state led it to being closed in 2000.

This year, on the eve of its November 11 Armistice Day / Remembrance Day / Veterans Day commemorations, the town of Château-Thierry inaugurated a new building on the same location, now calling it Maison de l’Amitié France-Amerique (translated on the plaque by its entrance as the House of France-American Friendship). The square out front had long been re-baptized Place des Etats-Unis (Square of the United States).

While the new building doesn’t as actively serve the lofty goals of the Wadsworths’ original project of the 1920s, it nevertheless reaffirms Château-Thierry’s with the United States.

The inaugural ceremony was led by U.S. Ambassador to France Jane D. Hartley and Mayor of Château-Thierry Jacques Krabal, accompanied by local and regional dignitaries in the presence of about 200 Castelthéodoriciens, as citizens of the town are called.

Rather than recount the history of the war or the American involvement in 1918 in the Third Battle of the Aisne, the Battle of Château-Thierry and the Second Battle of the Marne, the MAFA houses on its second floor an exhibition focusing on the life and death of Quentin Roosevelt. Son of Theodore Roosevelt and his second wife Edith, Quentin was shot down by German planes at the age of 20 during aerial combat over France on July 14, 1918, 17 miles northeast of here.

Quentin and his brothers Ted Jr., Archie and Kermit all served in WWI. Quentin was originally buried by the German army in the village of Chamery, where his plane crashed. In 1955 his remains were removed to the Normandy American Cemetery, to be re-laid to rest beside those of Ted Jr., who fought in WWII. The oldest American soldier and highest ranking officer to land by sea in Normandy (Utah Beach) on D-Day June 6, 1944, Ted Jr. who died of a heart attack five weeks into the invasion.

For more about Quentin Roosevelt, read Quentin Roosevelt: The Most Famous American Killed in France in WWI.

The ground floor of the new MAFA is occupied by the Château-Thierry Tourist Office. For visitors who need logistical assistance or who arrive without firm plans for their day, it’s a good first place to stop in order to obtain information about war touring in the surrounding region. For more about sights and memorials related to the American involvement in WWI, including Belleau Wood, the Aisne-Marne American Cemetery, and the American Monument of Château Thierry see this photolog.

Happily, war touring in these parts can also go hand in hand with wine touring—and not just any wine but champagne. Though Château-Thierry is located in the administrative region of Picardy and the department of Aisne, 16 miles from the border of the Champagne region (actually called Champagne-Ardenne), its surroundings lie within the champagne appellation.

As indicated above the entrance to the MAFA, the Chateau-Thierry area represents “the gates to champagne.” The tourist office is therefore well armed to advise visitors on how and where to visit champagne producers within a 20-minute drive east or west along the Marne, and they can call ahead to make last-minute appointments with grower-producers. (An article about champagne producers of this portion of the Marne Valley is coming soon.)

Finally, in keeping with the MAFA’s historical role as a center for cultural exchanges and learning, there is a space for temporary exhibitions and a room where children can come to learn English.

The MAFA is not a destination in itself, but the starting point for further explorations in this once war-torn, still champagne-filled stretch of the Marne River.

With time and interest, one might take a stroll to see the admirable facades of the theater, city hall and food market on the town’s central square and to look up towards the ramparts of the chateau occupied over 1000 years ago by a certain King Thierry IV before the Counts of Champagne took control of the region. Some medieval ruins still remain behind the ramparts.

The town’s major historical sight, involving neither champagne nor war, is its Hôtel Dieu, the former central hospital with a rich collection of works received during its centuries as a religious institution. There’s also a museum dedicated to 17th-century fable writer Jean de La Fontaine.

For outdoor entertainment, an enjoyable, family-friendly birds of prey show takes place April-September beside the chateau ruins, where, among others, a North American bald eagle takes flight.

Maison de l’Amitié France-Amérique / Château-Thierry Tourist Office, 2 place des Etats-Unis, 02400 Château-Thierry. Tel. 03 23 83 51 14.

© 2015, Gary Lee Kraut

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It was one of those sights or grouping of sights that I kept hearing about and that I kept ignoring. Each time it rose to the top of my list of places to visit in the months ahead I would push it back a few notches.

Yet Chateau Thierry eventually made it to the top of that list—in part because I’d already toured and written so much about the WWII D-Day Landing Zone that had become increasingly interested in the WWI landscape of France; in part because the 100th anniversary of The Great War, the Der Des Ders, is approaching; and finally because I had the opportunity to interview and tour the WWI sights near Chateau-Thierry with David Atkinson, Superintendent of the Aisne-Marne American War Cemetery.

Before moving on to other work on the subject of these sights, here is a photolog of a day’s visit.

The Chateau-Thierry War Monument overlooks the town and the Marne Valley from above the Champagne vineyards at the top of a hill two miles west of the town center. I arrived on a day of low clouds and on-and-off rain. Though Chateau Thierry is administratively in the department of Aisne, the Champagne vineyards start here.

I went up for closer look at the double colonnade monument constructed to “commemorate the sacrifices and achievements of American and French fighting men in the region and cooperation of French and American forces during World War I.”

Constructed in 1930, the memorial was designed by Paul Cret, the French-American architect who received numerous commissions to create war memorials and battlefield monuments in Europe and in the United States. The American Battle Monuments Commission, “guardian of America’s overseas commemorative cemeteries and memories,” was created in 1923.

A description of the significance of the battles involving American soldiers that began in the Marne Valley is engraved on the memorial.

Figures representing the United States and France hold hands at the center of the west façade.

Visitors unfamiliar with the region may have difficulty situating the towns on the map below of the Aisne-Marne Salient that’s engraved on the monument. You’ll notice that the big Champagne towns of Epernay and Reims are just to the east and northeast. Among the WWI sites indicated on the map, the Chemin des Dames (near the top of the map), a ridge of tunnels and trenches presented now in a museum on the site, also makes for a worthy stop for more extensive war touring in the region.

The Aisne-Marne American Cemetery is 4.5 miles northwest of the monument, 6.5 miles from the town. The cemetery and the woods above it comprise the area’s main WWI sight for symbolic value and, though largely unknown to Americans, those woods are of utmost to members of the U.S. Marine Corps.

Belleau Wood: the very name is a battle cry for the Marines Corps. It was in the fierce Battle of Belleau Wood that the Marines earned their military lettres de noblesse by holding off an important sector of the final German offensives of 1918, before pursuing, along with French and British forces, the advances that would eventually lead to Germany’s recognition of defeat in the form of the Armistice of November 11.

The Army was naturally also a major force along this front though the headlines at the time emphasized the Marines, so there remains a hearty rivalry between Army and Marines as to the credit each deserves. In any case, 17% of those buried at this cemetery were Marines, according to David Atkinson, Superintendent of the Aisne-Marne Cemetery.

With drama similar to the position of the Normandy American Cemetery on the cliff above the once-bloodied tides of Omaha Beach, the Aisne-Marne American Cemetery lies at the foot of the great battleground that was Belleau Wood.

The cemetery, more particularly Belleau Wood itself, has ever since been a pilgrimage site for the Marines. On leave from Afganistan or Iraq or stationed elsewhere, says Atkinson, Marines will come here and ask (or frequently not ask) to spend the night in the woods.

David Atkinson’s American father landed in Normandy a week after D-Day and took part in the Battle of Normandy 1944 as part of the Engineering Corps… and met Atkinson’s French mother there.

Atkinson oversaw the cemetery as superintendent from 2002 to 2003 and again beginning in 2007. [Post-note: David Atkinson retired from the position in 2015.]

He says that despite the site’s significance in American military history, no sitting president has visited the site, though Nixon visited after his presidency. The cemetery nevertheless hosts one of Europe’s largest American Memorial Day commemorations.

The cemetery contains the remains of 2289 war dead, most of whom fought in the vicinity and in the Marne Valley in the late spring and summer of 1918. The Oise-Aisne American Cemetery, a 30-minute drive (about 17 miles) northeast of here near the town of Fère-en-Tardenois, contains far more tombs (6012) than Aisne-Marne, however the latter’s connection with Belleau Wood gives it its special symbolic meaning.

Eighty, ninety years on, it’s necessary to replace or restore some of the original Italian marble headstones.

Inside the chapel…

… the walls are inscribed with the names of 1060 originally listed as missing. Rosettes mark the names of those since recovered or identified.

A German Cemetery with the remains of 8625 soldiers lies a half-mile up the road.

Superintendent Atkinson took me on a tour of Belleau Wood, where we stopped to overlook the chapel…

… and to glimpse the cemetery between the trees.

The outline of trenches of 1918 can still be seen in Belleau Wood.

Captured Germany artillery is still there.

A monument shows a Marine attacking with rifle and bayonet.

The thickest of the oak trees standing in the woods were witness to the fighting of June 1918. Superintendent Atkinson says that visiting Marines will often want to take a piece of the wood home with them, harming trees in the process. That led him to carve up some trees that were to be removed anyway in efforts to preserve Belleau Wood and to offer up engraved pieces as gifts to visiting Marines and to certain other curious visitors.

I thank him for including me among the latter. Here is my piece of Belleau Wood, along with the flags he kindly supplied.

Practical information

Opening times: The cemetery is open daily from 9am to 5pm except Dec. 25 and Jan. 1.

Getting there: Chateau Thierry is 54 miles east from Paris, an hour by train or by car. Reims is another 30 minutes further east. By car, the war sights are easily visited just off the A-4 autoroute on the way to or from Champagne or on an overnight in the Chateau Thierry area. By train, it’s possible to take a taxi to the monument and to the cemetery or to rent a car for the day.

Tourist information: The official tourist website for Chateau Thierry and the surrounding area in this southern portion of the department of Aisne.

Tours: For an excursion combining war touring and champagne vineyards see here.

Other articles about WWI touring in and near Chateau-Thierry

ABMC WWI Museum Opens at Château-Thierry’s American Monument
Château-Thierry Reaffirms Its Bond with the United States
Quentin Roosevelt, President’s Son, the Most Famous American Killed in France in WWI

Other notable sights in and near Chateau Thierry

Museum of the Treasure of the Hotel Dieu
The town’s most artful site is its Hotel Dieu, a former convent and Church-run hospital-cum-public hospital that presents its treasure-trove of paintings, sculptures, earthenware, furniture and religious articles, all of which were donated to the institution over the centuries. Chateau Thierry’s Hotel Dieu was founded by Queen Jeanne de Navarre in 1304 and had its heyday as a religious institution thanks to major benefactors of the late 17th and 18th centuries. Among modern benefactors are the Friends of French Art California who helped finance the restoration of a painting and a buffet. A guided tour (the only way to access the museum) explains the history of the institution, opens the doors to its treasures, and tells the fascinating and sometimes horrific story of the cloistered life. The Hotel Dieu served as a public hospital until 1983 and remains the property of the public hospital system. There are limited touring times (Fri. and Sat. Nov.-March, also Sun. April-Oct.), so check the website in advance for times and/or call town hall (03 23 83 51 14) for a reservation.

The La Fontaine Museum
Jean de La Fontaine (1621-1695) is the French-speaking world’s most famous fable teller. (The English-speaking world is more familiar with the work of Aesop, whose work comes to us from Greek then Roman Antiquity.) La Fontaine’s birthplace and family home, dating from 1559, has been a museum in his honor since 1876 and has recently been restored. Open daily except Monday.

Chateau de Condé
There’s little to be seen of the castle that gave Chateau Thierry its name, but there is a notable private chateau 10 miles east that’s open to the public. The Chateau de Condé, in the village of Condé en Brie, is rather under-visited considering the quality of its décor of the 17th and 18th centuries and the possibility of encountering members of the Pasté de Rochefort family, owners since 1983. Open April 15-Oct. 15 daily except Mon., 2:30-5:30pm. Open for groups upon reservation at other times.

Dance with the Eagles
A live outdoor show of birds of prey is held daily April 1-Nov. 2 by the ruins of Thierry’s castle. Here, to close the American theme of this photolog, is an American Bald Eagle that I met in its dressing room after the show.

Photos and text © 2011, Gary Lee Kraut.

For another article about WWI memorials and cemeteries in northern France read “Olivier Dirson, WWI Battlefield Guide: One History Leads to Another.”

The post An Hour from Paris: Chateau Thierry’s American WWI Sights (photolog) appeared first on France Revisited - Life in Paris, Travel in France.

Luminous by its vast, clear windows, by the light streaming in from its lantern tower, and by its bright, naked stone, Notre-Dame de Laon on a sunny day is a beacon calling the traveler well off the beaten track. If you know the other Notre-Dames north of the Loire Valley, now consider Laon’s.

The architecture styles and developments of the 12th through 15th centuries that became known as Gothic during the Renaissance as a way of calling their style barbaric and unrefined were previously known as the manner of building in Ile-de-France (the Paris region) or simply the French arts. Indeed, many of the primitive Gothic (begun 1135-1190) and classic Gothic (begun 1190-1230) monsters of France (and of Europe) lie within a 100-mile radius of Paris: Saint-Etienne de Sens, Basilique Saint Denis, Notre-Dame de Laon, and Notre-Dame de Paris for primitive Gothic, Notre-Dame de Chartres, Notre-Dame d’Amiens, Notre-Dame de Reims, and Saint-Pierre de Beauvais for classic Gothic.

Laon’s cathedral is a first-generation Gothic construction started in 1155, eight years before Paris’s Notre-Dame. It replaced a Romanesque cathedral that had been heavily damaged by fire in 1112 and partially repaired before a complete renewal was decided.

In order to understand the construction of Notre-Dame de Laon and its cousins in the Paris region and beyond, opt for a guided tour when visiting the cathedral. Furthermore, the tribune(second floor walkabout) and towers can only be visited with a guide.Inquire about tours directly at the tourist office or better yet contact the tourist office in advance.

It’s rare nowadays to have access to the tribune of medieval churches and cathedrals. Along with allowing wonderful views of the interior, the tribune displays some of the building’s original late 12th-century and early 13th-century sculptures, copies of which now decorate the outside. (At Laon, as in other Gothic cathedrals, much of the stone and the sculptures were originally painted.)

There are these gargoyle gutters, for example:

And these column capitals:

And I love the wind-worn limestone of these works that could well be presented in a museum of contemporary art:

The next photo, taken from the outer landing of one of its five towers (of seven originally planned) and looking up to the top, shows the stone oxen that are a sculptural oddity at Laon, They recall the legend by which an ox miraculously appeared to replace an exhausted ox that could go no further while its yoke was pulling stones to the top of the plateau for the construction of the cathedral. The mysterious ox then disappeared once it had helped deliver the stones to the top.

Looking to the west, here is a view over the Upper Town, which is surprisingly (and sadly) quiet since most of the town’s businesses are in the Lower Town, where most Laonnois reside. Actually, that quiet makes a visit here feel even more like an unusual find.

The choice café and restaurant is naturally situated across from the cathedral, as seen above.

Loan is the capital of the department of Aisne, an area that is part a swath of Belgium and northern France—Verdun, the Ardennes, the Somme—that witnessed the incessant trench warfare that defined WWI. Laon nevertheless survived the fighting from 1914 to 1918 unscathed because it was occupied by Germans throughout much of the war and lay behind the front. Allied bombing in 1944 later caused damage around the train station and elsewhere, but the Upper Town was largely spared.

The Upper Town of Laon occupies what is geographically the last outlier plateau of the Paris region. Another such hill, the infamous Chemin des Dames (The Ladies Road) can be seen at the horizon in this photo taken from the cathedral’s south tower.

The Chemin des Dames, a narrow plateau, 18 miles long and 110 feet high, overlooking the plain between Laon and Reims, was of great strategic importance during the The First World War. For more on the Chemin des Dames click here.

Getting to Laon
Loan, 85 miles northeast of Paris, is about 1 hour 40 minutes by train from Paris’s North Station, Gare du Nord. About 20-minutes outside Paris on the train (past the suburb of Mitry and before Dammartin) you’ll notice that the landscape changes quickly from crowded suburbia to vast agriculture. The fields are largely reserved by the four main crops of northern France: wheat, barley, sugar beets, and colza/rape.

Across the street from the Laon train station the funicular Poma takes you up to the Upper Town, i.e. the old town, right by City Hall. As noted above, a guided tour of the cathedral is highly recommended since it will give access to the towers and the basements. (My guide for this visit, Rose Condette, was excellent.) Guided touring can also include other parts of the Upper Town, including a precious little Templar church and a museum.

American travelers are rarely seen or heard in Laon. In a typical year, according to tourist officials, only about 200 American stop by the tourist office, which occupies the 12th-century hospital building (Hôtel Dieu) next door to the cathedral. So be sure to stop in to let them know that it isn’t only the English, the Dutch, the Belgiums, and the Germans who appreciate their town and their cathedral. Inquire there if interested in visiting the WWI battle sites and museums in the surrounding area, particularly along the Chemin de Dames.

Official tourist office site for Laon and surroundings: http://www.tourisme-paysdelaon.com/.

– Text and photos by GLK

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