April in Paris. Tulips are in bloom. The flaneuse dresses for an idle stroll, selecting from her wardrobe French-made lingerie, jeans and sweater, before putting on her French-designed sandals and setting out with her French-made umbrella. It’s a Made-in-France day, she thinks, a never-know-what-you’ll-find, never-know-who-you’ll-come-across day.
The International Center of Aubusson Tapestry represents far more than a pat on the back to the history of tapestry-making in the Creuse region. It also reaffirms and encourages the continuity of know-how for the entire branch of tapestry-related activities in Aubusson, Felletin and elsewhere in Creuse.
We are often at a loss for words when we travel in continental Europe. It isn’t only the words for natural conversation that are lacking but also the vocabulary of the things we see. Vocabulaire Illustré de l’Ornament by Evelyne Thomas, an illustrated dictionary of the vocabulary of the ornamental and decorative elements of architecture and other arts, can help.
June 18, 2015—Two hundred years ago today Napoleon I (Bonaparte) was defeated at Waterloo. For much of the world (except perhaps for the British) Waterloo speaks far more about the fall of Napoleon and of France’s ambitions in Europe under his leadership than it does of the victory of the forces allied against him and against France.
A photo vignette about street art and scaffolding covers, featuring animals at the National Veterinary School in Maisons-Alforts, a wall painted with attitude in Paris's 10th arrondissement and the capital's historical judicial complex where, sadly, everyone is now sentenced to Life.
The Ferrandi School, the most hands on of Parisian culinary academies, has come out with a mega-cookbook for amateurs and professionals looking to hone their culinary skills and try recipes from simple to gastronomical.
Hidden in the Dordogne hills on a narrow street of the village of Fanlac, Janet Duignan discovers the marriage of ancient Siberian tradition and European craftsmanship in Kristof Mascher's fish leather handbags, belts and cases.
Imagine sitting in avant-garde style in Paris between 1951 and 1961. Pascal Cuisiner invites visitors to take a seat, or at least a view of a seat, in the lap of those years through an exceptional collection of 100 chairs from what he calls “the first modern French designers," presented at two locations in Paris.
Colors, flowers, elegance, balance: what sounds like a stroll through the Luxembourg Garden or a glimpse into the lobby of a palatial hotel is, this morning, an encounter with Isabelle Langlois in her shop on rue de la Paix, Paris’s runway for high jewelry.